Sunday, 20 March 2011

'unfreezing' writing and thinking

Putting together that crazy theory Venn diagram (see previous post) helped me; I wished I could have changed it almost straight away. That's not so bad, because it gave me forward momentum. It felt like creating a painting (I've done a few of those, too): you have to make the mark in order to stand back and see if it works. With the Venn diagram, I recognised (after a chat with my office mate) that I was becoming confident about the 'big picture' theoretical frame. I like the tension the pairing of symbolic interactionism and cultural historical activity theory gives me. A sort of Mead / Marx synthesis, if you like. 

Work on that synthesis is ongoing, of course and I'm reading Sheldon Stryker's (1980) "Symbolic Interactionism". I'm going to write some notes on it this week in my own Evernote way because I like the way it addresses what I think can be an overemphasis on agency over structure. I also guess it's challenged me to read about comtemporary developments - since 1980 - in the field. That's one 'track' with some momentum. 

I have been 'stuck' on the other part of the Venn diagram - the two smaller shapes, relating to 'sensemaking' literature and theories of adult learning, particularly Wenger. I'm not sure about whether it is those two that will help, but I've come to realise (I think) that Symbolic Interactionism and Activity Theory are great for 'big picture' framing, but I may need some conceptual 'tools' to work with the details at that point of overlap. If you remember (and hey, why should you?) I'm starting to focus on the ways in which individuals use social objects they name from their professional situation. This means that I'll be looking at mechanisms, processes and so on. I suspect neither of my 'frameworks' (by the nature of being frameworks) will help there. It might be that 'sensemaking' or theories of learning may do that, but we will see. To get past this little roadblock, I've realised (as my brain has bubbled away in between things) that the key here is to think about that idea of *using* social objects to shape identity and what sort of activity - and understanding what exactly I want to know. It's the 'peeling the onion' thing again.
 
I'm glad I wrote about that, because I'm sick of a draft journal article I've written. At least I can remind myself that I am making progress. The blasted draft article was needed for a professional qualification and I thought - hey, kill two birds with one stone - but it's become a frustration. It's become something I should do. Oh no. It will help me write, but it's not on the theme of my PhD. The thing is, I talk about process all the time, but I love to have a product. Think I just need to keep going in the right direction, even if it's slow! 

In the meantime, I'm loving Inger Mewburn's great Prezi on writing an article in seven days. It has helped me so much. It's all about moving forward and not giving up.

Saturday, 12 March 2011

shuffling the theory pieces...

Hi there. I've had my head down with work and (weirdly enough) reading books. I know: actual book reading. All of this reading is bringing several theoretical reference points into focus, as they speak to different aspects of my research questions. You can bet money they will shift and change as I move on, but as I think about the way in which they interact I feel more certain about the sorts of questions and approaches I am using. 


I constantly scribble to try to relate ideas. I thought I would try to neaten up a scribble (below) so I can chat with my supervisors and invite difficult questions. If you've visited before, you'll remember I'm looking at individuals' narratives of reshaping their professional identity in complex children's services environments and how they use 'reference points' from their perceived environments to help them do that. The frameworks sketched below is a bit of me trying to gain some insight. Of course, the value is not in 'tagging' topics with theory, but in how eventually the narratives resonate with these ideas and how I use these ideas to critically analyse real life stories. 


Does it make sense to you? What questions do you have? Do leave a comment, I'd love to know.

[you should be able to click on the image to see a bigger version]